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José Manuel Blasco

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Super NintendoSNES12Nintendo 64N648Nintendo GameCubeGameCube10Nintendo WiiWii2Nintendo Wii UWii U1Nintendo SwitchSwitch19Nintendo Switch 2Switch 23Game BoyGame Boy4Game Boy ColorGBC6Game Boy AdvanceGBA8Nintendo DSDS8Nintendo 3DS3DS8
PlayStationPS113PlayStation 2PS283PlayStation 3PS334PlayStation 4PS429PlayStation 5PS526PlayStation PortablePSP7PlayStation VitaVita9
XboxXbox6Xbox 360Xbox 36020Xbox OneXbox One9Xbox Series X|SSeries X|S4
Sega Mega DriveMega Drive2
PCPC25
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22 games

XBOXPALDoom 3XBOXPALForza MotorsportXBOXPALReturn to Castle Wolfenstein: Tides of WarXBOXPALDriv3rGAMECUBEPALHarry Potter y la Cámara SecretaGAMECUBEPALTrue Crime: New York CityGAMECUBEPALPokémon ColosseumGAMECUBEPALRobotsGAMECUBEPALTy the Tasmanian TigerGAMECUBEPALDonkey Kong Jungle BeatGAMECUBEPALNBA Courtside 2002GAMECUBEPALSuper Mario StrikersGAMECUBEPALTom Clancy's Splinter CellGAMECUBEPALSuper Mario SunshineXBOXPALFableXBOXPALHalo 2GAME BOY COLORPALPokémon OroGAME BOY COLORPALPokémon PlataGAME BOY COLORPALWarriors of Might and MagicGAME BOY COLORPALTurok 3: Shadow of OblivionGAME BOY COLORPALThe Legend of Zelda: Oracle of AgesGAME BOY COLORPALThe Legend of Zelda: Oracle of Seasons

Doom 3Xbox1 / 22

XboxPAL

Doom 3

id Software · Aspyr Media · 2004 · Shooter

Doom 3 is a first-person shooter with survival horror elements. Played mostly from a first-person perspective, it sends the player through the corridors and facilities of a research base, fighting waves of enemies while managing limited resources. A signature design choice forces the player to choose between holding a weapon or a flashlight, encouraging a slower, tense pace built around darkness and ambush. The game uses a story-driven structure supported by radio messages, audio logs, and data devices that unlock areas and reveal information. It also includes a separate deathmatch-focused multiplayer mode.

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ProgressBacklog
Year2004
XboxPAL

Doom 3

id Software · Aspyr Media · 2004 · Shooter

Doom 3 is a first-person shooter with survival horror elements. Played mostly from a first-person perspective, it sends the player through the corridors and facilities of a research base, fighting waves of enemies while managing limited resources. A signature design choice forces the player to choose between holding a weapon or a flashlight, encouraging a slower, tense pace built around darkness and ambush. The game uses a story-driven structure supported by radio messages, audio logs, and data devices that unlock areas and reveal information. It also includes a separate deathmatch-focused multiplayer mode.

Open the entry
ProgressBacklog
Year2004