José Manuel Blasco
Super NintendoSNES12Nintendo 64N648Nintendo GameCubeGameCube10Nintendo WiiWii2Nintendo Wii UWii U1Nintendo SwitchSwitch19Nintendo Switch 2Switch 23Game BoyGame Boy4Game Boy ColorGBC6Game Boy AdvanceGBA8Nintendo DSDS8Nintendo 3DS3DS8
XBOXPALXBOXPAL
XBOXPAL
XBOXPAL
XBOXPAL
XBOXPAL
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PSPPAL
GAME BOY ADVANCEPAL
GAME BOY ADVANCEPAL
GAME BOY ADVANCEPAL
GAME BOY ADVANCEPAL
GAME BOY ADVANCEPAL
GAME BOY ADVANCEPAL
GAME BOY ADVANCEPAL
GAME BOY ADVANCEPAL
PSPPAL
XBOXPALXBOXPALXBOXPALXBOXPALXBOXPALPSPPALPSPPALPSPPALPSPPALPSPPALPSPPALGAME BOY ADVANCEPALGAME BOY ADVANCEPALGAME BOY ADVANCEPALGAME BOY ADVANCEPALGAME BOY ADVANCEPALGAME BOY ADVANCEPALGAME BOY ADVANCEPALGAME BOY ADVANCEPALPSPPALDoom 3Xbox1 / 21
XboxPAL
Doom 3
Doom 3 is a first-person shooter with survival horror elements. Played mostly from a first-person perspective, it sends the player through the corridors and facilities of a research base, fighting waves of enemies while managing limited resources. A signature design choice forces the player to choose between holding a weapon or a flashlight, encouraging a slower, tense pace built around darkness and ambush. The game uses a story-driven structure supported by radio messages, audio logs, and data devices that unlock areas and reveal information. It also includes a separate deathmatch-focused multiplayer mode.
| Progress | Backlog |
|---|---|
| Year | 2004 |
Forza Motorsport
Return to Castle Wolfenstein: Tides of War
Driv3r
Fable
Halo 2
Gran Turismo
Need for Speed: Carbon - Own the City
Grand Theft Auto: Liberty City Stories
SBK 09: Superbike World Championship
Miami Vice: The Game
Pirates of the Caribbean: At World's End
Pokémon Verde Hoja
Pokémon Esmeralda
Pokémon Rubí
Mario Kart: Super Circuit
Monsters, Inc.
The Lord of the Rings: The Return of the King
Super Mario Advance
Batman: Vengeance
Grand Theft Auto: Vice City Stories
XboxPAL
Doom 3
Doom 3 is a first-person shooter with survival horror elements. Played mostly from a first-person perspective, it sends the player through the corridors and facilities of a research base, fighting waves of enemies while managing limited resources. A signature design choice forces the player to choose between holding a weapon or a flashlight, encouraging a slower, tense pace built around darkness and ambush. The game uses a story-driven structure supported by radio messages, audio logs, and data devices that unlock areas and reveal information. It also includes a separate deathmatch-focused multiplayer mode.
| Progress | Backlog |
|---|---|
| Year | 2004 |