José Manuel Blasco
Super NintendoSNES12Nintendo 64N648Nintendo GameCubeGameCube10Nintendo WiiWii2Nintendo Wii UWii U1Nintendo SwitchSwitch19Nintendo Switch 2Switch 23Game BoyGame Boy4Game Boy ColorGBC6Game Boy AdvanceGBA8Nintendo DSDS8Nintendo 3DS3DS8
XBOXPALXBOXPAL
XBOXPAL
XBOXPAL
XBOXPAL
XBOXPAL
PSPPAL
PSPPAL
PSPPAL
PSPPAL
PSPPAL
PSPPAL
GAME BOY COLORPAL
GAME BOY COLORPAL
GAME BOY COLORPAL
GAME BOY COLORPAL
GAME BOY COLORPAL
GAME BOY COLORPAL
SWITCH 2PAL
SWITCH 2PAL
PSPPAL
SWITCH 2PAL
XBOXPALXBOXPALXBOXPALXBOXPALXBOXPALPSPPALPSPPALPSPPALPSPPALPSPPALPSPPALGAME BOY COLORPALGAME BOY COLORPALGAME BOY COLORPALGAME BOY COLORPALGAME BOY COLORPALGAME BOY COLORPALSWITCH 2PALSWITCH 2PALPSPPALSWITCH 2PALDoom 3Xbox1 / 22
XboxPAL
Doom 3
Doom 3 is a first-person shooter with survival horror elements. Played mostly from a first-person perspective, it sends the player through the corridors and facilities of a research base, fighting waves of enemies while managing limited resources. A signature design choice forces the player to choose between holding a weapon or a flashlight, encouraging a slower, tense pace built around darkness and ambush. The game uses a story-driven structure supported by radio messages, audio logs, and data devices that unlock areas and reveal information. It also includes a separate deathmatch-focused multiplayer mode.
| Progress | Backlog |
|---|---|
| Year | 2004 |
Forza Motorsport
Return to Castle Wolfenstein: Tides of War
Driv3r
Fable
Halo 2
Gran Turismo
Need for Speed: Carbon - Own the City
Grand Theft Auto: Liberty City Stories
SBK 09: Superbike World Championship
Miami Vice: The Game
Pirates of the Caribbean: At World's End
Pokémon Oro
Pokémon Plata
Warriors of Might and Magic
Turok 3: Shadow of Oblivion
The Legend of Zelda: Oracle of Ages
The Legend of Zelda: Oracle of Seasons
Donkey Kong Bananza
The Legend of Zelda: Tears of the Kingdom - Nintendo Switch 2 Edition
Grand Theft Auto: Vice City Stories
Pokémon Pokopia
XboxPAL
Doom 3
Doom 3 is a first-person shooter with survival horror elements. Played mostly from a first-person perspective, it sends the player through the corridors and facilities of a research base, fighting waves of enemies while managing limited resources. A signature design choice forces the player to choose between holding a weapon or a flashlight, encouraging a slower, tense pace built around darkness and ambush. The game uses a story-driven structure supported by radio messages, audio logs, and data devices that unlock areas and reveal information. It also includes a separate deathmatch-focused multiplayer mode.
| Progress | Backlog |
|---|---|
| Year | 2004 |